1. INCONSISTENT TECHNIQUE

by Mateusz Sibila | Apr 26, 2026 | Uncategorized

One of the key elements of safe and effective vocal work is consistency in your technique. It not only helps you achieve your best possible sound, but also allows you to maintain a high level of comfort over longer periods of time. Consistency also leads to more balanced and faster progress, because your voice has a stable foundation to rely on — you perform more correct repetitions, which builds muscle memory and healthy habits much more efficiently.

Of course, consistency comes with practice — but it’s crucial to practice correctly. Otherwise, you’ll end up developing unhealthy or even dangerous habits. So what does “the correct way” actually mean? There are many answers, and they depend on what you feel and observe. That’s why having a strong connection with your body — your instrument — is so important.

This connection helps you recognize which exercises and pieces of information truly support your development and make you sound or feel better during practice, and which ones don’t add anything new or may even cause strain or discomfort.

We are all different, and methods that work great for one person may be completely ineffective or even uncomfortable for another. That’s why there are so many different approaches to the same thing — fry or false cord screaming, growling, singing with distortion, or just singing clean.

So how do you build this connection with your body? That’s a good question. People who do sports, yoga, or meditation often find that they’ve already started this process. They feel their muscles on a deeper level, they can observe specific movements and the sensations that follow them. When they practice vocals, it’s easier for them to notice how breath support or resonance works, where in the body they feel the source of the distortion (known as “placement”), and whether there is any obstacle to avoid or constriction to release. This helps them gradually clear the path toward their desired results, step by step, and usually faster.

If you don’t do sports, yoga, meditation, or anything else that helps you connect more deeply with your body, don’t worry. When I first started singing, I didn’t do any of these things either. What helped me become more present in my body were breathing exercises, such as box breathing. They help you observe and feel your respiratory system in a natural, relaxed way. Box breathing is mainly used for relaxation — which can also be helpful before a performance with a band — but in this case, you can use it to build a deeper connection with your body, and the easiest way to do that is by observing your breath.

Sit or lie down comfortably, close your eyes, and inhale to a count of four. Then hold your breath for a count of four, exhale for a count of four, pause for a count of four, and repeat the entire cycle for 1–2 minutes, until you feel relaxed and well oxygenated. How did it feel? During the inhale, the area of the lower ribs and the space between the navel and the solar plexus should move slightly outward. During the exhale, the ribs should remain expanded, while the navel area slowly moves backward.

The second exercise that will help you feel your body on a deeper level is simply making a hissing sound (“sss”) and holding it for as long as possible. Inhale slowly and allow the area of your lower ribs and the space between your solar plexus and navel to expand. Keep your lower ribs expanded, and then start hissing. Observe what happens in your body. The lower ribs should stay expanded, the navel area should slowly move backward, and the solar plexus area should move slightly forward. You may also notice subtle activity in the muscles along your spine (some people feel it more in the lower back, others in the upper back). The longer you hold the sound, the more active these areas should become — but at the same time they should remain flexible, not stiff.

This is what we call “breath support”, and it’s one of the most important foundations of consistent and effective vocal technique. The higher, lower, more brutal, aggressive, or distorted the sounds you make, the more active your breath support should be. It’s a source of energy that drives your voice and helps you avoid straining it.

Once you feel more present in your body, it’s time to do some vocal exercises from this video. Try each of them and see which ones sound and feel best — as if they were tailored to your voice. This will help you work on another important foundation of consistency in your vocal technique: voice projection.

https://youtu.be/FveUkjxZsBM

When it comes to practicing extreme vocals, it’s important to decide which technique you want to focus on first and stick with it until you achieve consistent results and the basic sounds become easy to produce. If you don’t have strict expectations about the style you want to develop, you can test different techniques and see which one suits your voice best. This is very individual, but most beginners find false cord — especially growl — much easier. Of course, there are also people who find fry scream easier. That’s why it’s good to test different options and see which one works best for you.

Focusing on one technique until you master it, even at a basic level, will help you avoid confusion and achieve greater consistency in your vocal technique. If you have a very specific vision of your dream vocal style, remember to practice step by step and avoid rushing. It’s great to have goals, but for the effectiveness and safety of your practice, it’s important to match the difficulty level to your current experience.

Observe which exercises help you find the right placement and create basic but good‑sounding and comfortable tones — for example, a false cord growl or a fry noise (a kind of “little fry scream”, not vocal fry). You don’t have to sound perfect. Your growl can be a bit airy at first, but it should still feel like it has some density and texture, and not like you’re just forcing air down your throat. Notice which methods bring you closest to producing the right sounds and stick with them until they become easy.

Then you can increase the difficulty or change the exercises: practice faster, change the pitch or depth of your voice, hold sounds for longer, switch between different vowels (it’s also worth noticing which vowels are easiest for you), practice syllables, then single words (you can even break words into syllables), then full sentences, then a few lines, then a whole verse, and finally try it with a song or a backing track.

This is how you build a consistent, safe, and effective vocal technique — step by step, without hurting your voice or drowning in frustration.